Christian Beck saw Doctor Zhivago and Lawrence of Arabia when he was a wee boy on a giant white drive-in screen amid the dusty Iowan cornfields in Super Panavision 70, shaping his idea of what storytelling was. It stuck. Seldom does he write anything less than sweeping, epic adventures that pit his characters against some instrument or agent of death, pushing them beyond their every limit to survive. Simply put: Cinema put in words. He does that on a Surface Pro tablet sitting somewhere in the desert with his family — far, far away from the cornfields of the American Heartland.